S E L E C T E D  *  B I B L I O G R A P H Y
 [On Influences & Processes in Music's Origins]
Allott, Robin, The Biological Bases of Music -- excerpt from The Pythagorean Perspective, http://www.percepp.demon.co.uk/pythagor.htm
Ancient and Oriental Music, Ed.: Egon Wellesz (Vol . I of The New Oxford History of Music), London: Oxford University Press, 1957.
Aristotle Problems Book XIX. 11, 12, 13, 29, 33, 36, 42.
Aristoxenus The Elements of Harmony I.23.
Baltzell, W. J., A Complete History of Music, N.Y.: Theo. Presser 1905.
Bauer & Peyser, How the Music Grew, N.Y.: G.P. Putnam's Sons, 1939.
Bowra, C. M., Primitive Song (London: Weidenfeld and Nicolson, 1962).
Darwin, Chas., The Origin of Species & the Descent of Man. [Darwin believed music preceded and led to speech.]
Dumbrill, Richard, The Musicology and Organology of the Ancient Near East.
Edgerly, Beatrice, From the Hunter's Bow, N.Y.: G. P. Putnam's Sons, 1942.
Engel, Carl, The Music of the Most Ancient Nations, London: Wm. Reeves, l929.
Fink, Robert, The Origin of Music (Formerly The Universality of Music ), N.Y.: Greenwich, 1970, 1981. http:// www.greenwych.ca/ natbasis.htm
Fink, Robert, Neanderthal Flute, Canada: Greenwich, 1997. http:// www.greenwych.ca/fl-compl.htm
Finkelstein, S., How Music Expresses Ideas N.Y.: Int'l Publ., 1952.
Fraser Sir Jms. Geo., The Golden Bough:, N.Y.: Macmillan Co., 1960.
Grout, D. J., A History of Western Music, N.Y.: W.W. Norton & Co., 1960.
Gustin, M., Tonality, N.Y., Philosophical Libr., 1969.
Helmholtz, Hermann, On the Sensations of Tone, N.Y.: Dover Publ ., 1954.
Horniman Museum, Musical Instruments, London: Horniman Museum London Cty. Council, 1958.
Howard & Lyons, Modern Music, New Amer. Libr., 1958) .
Jeans, Sir James, Science and Music, Cambridge: at the University Press, 1937.
Kilmer, Anne D., Crockett, Richard L. & Brown, Robert R., Sounds From Silence, Berkeley: Bit Enki Publications, 1976 [Oldest known song.]
Lambert, C., Music Ho!, London: Faber & Faber, 1966.
Marx & Engels, Literature and Art, N.Y.: Int'l Publ., 1947.
Merriam, Alan, "African Music" in Continuity and Change in African Cultures, ed. by Boscomb & Herskovitz, Chicago: U. of Chic. Press, 1959.
Merriam, Alan, The Anthropology of Music, Northwestern U. Press, 1964,
Meyer, L. B., Emotion and Meaning in Music, U. of Chicago Press, 1956 .
Moussterian Bone Flute, Ed.: Ivan Turk, Llubljana: Institute za archeologijo, 1997 [Oldest known musical instrument]
Nettl, Bruno, Music in Primitive Culture, Cambridge: University Univ. Press, 1956.
Origins of Music, [Compilation of essays.] Ed.: Wallin, Merker and Brown (MIT Press, Cambridge, MA., 2ooo)
Pleasants, N., The Agony of Modern Music, N.Y.: Simon & Shuster, 1955.
Plekhanov, Geo., Unaddressed Letters -- Art & Social Life, Moscow: Foreign Languages Publ. House, 1957 .
Raymond, G. L., The Genesis of Art Form, N.Y.: G.P. Putnam's Sons, 1909.
Reti, Rudolph, Tonality, Atonality, Pantonality, London: Rockliff, 1958.
Sachs, Curt, History of Musical Instruments, N.Y.: W.W. Norton, 1940.
Sachs, Curt, Our Musical Heritage, N.Y.: Prentis Hall, 1948.
Sachs, Curt, The Rise of Music in the Ancient World, East & West, N.Y.: W.W. Norton & Co., 1943.
Sachs, Curt, The Wellsprings of Music, N.Y.: McGraw Hill, 1965.
Schellenberg, E. Glen and Trehub, Sandra, Natural Musical Intervals -- Evidence from Infant Listeners, Psychological Science, 1996.
Shepherd, John and Wicke, Peter, Music and Cultural Theory (Cambridge/New York: Polity Press/Blackwell, 1997.
Smith, Hermann, The World's Earliest Music London: Wm. Reeves, 1904
Strunk, Oliver, Source Readings in Music History, N.Y.: W. W. Norton, 1950

By Bob Fink
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